The archaeologist Marija Gimbutas. Grand theories at the outskirts of modernity
Marija Gimbutas: Transnational Biography, Feminist Reception, and the Controversy of Goddess Archaeology, Rasa Navickaitė (Routledge: London, 2022) 244 pages
A scholarly journal from the Centre for Baltic and East European Studies (CBEES) Södertörn University, Stockholm.
48 articles tagged with lithuania were found.
Marija Gimbutas: Transnational Biography, Feminist Reception, and the Controversy of Goddess Archaeology, Rasa Navickaitė (Routledge: London, 2022) 244 pages
The material landscape of the Baltic states has dramatically changed with the start of the full-scale Russian invasion of Ukraine: the Ukrainian flag, or its distinctive blue-yellow, has saturated the public space. In places once reserved only for the national flag, the Ukrainian flag flies right next to it. Building facades, windows, and walls serve as new surfaces for the display of the yellow and blue. The periodic, holiday-driven appearance of national flags has given way to the constant show of Ukrainian flags.
Radical right parties (RRPs) have been extensively studied throughout the past two decades. One neglected aspect is the youth organizations (YOs) of RRPs and their transnational networks. This article analyzes the transnational links between the YOs of RRPs in Estonia and Latvia. The article contributes to the literature by arguing for four findings relating to the transnational links between the YOs of RRPs, which provide a window into the future of the parties being analyzed.
Bakom och bortom järnridån. De sovjetiska åren och frigörelsen i Baltikum och Ukraina [Behind the Iron Curtain and Beyond. The Soviet Years and the Emancipation in the Baltics and Ukraine]. Li Bennich Björkman. Stockholm: Appell förlag. 465 pages
This paper seeks to understand how the Catholic Church manages its involvement in gender politics in Lithuania and exerts power. Lithuania signed the Council of Europe Convention on Preventing and Combating Violence against Women and Domestic Violence (the so-called Istanbul Convention) in 2013 but ratification efforts continue to date. The Convention has become a political “hot potato” and caused ideological confrontations. The Catholic Church is here a political actor, leveraging its influence across multiple levels and cycles of the political decision-making process. NGOs have initiated campaigns in attempt to counter the discourse of oppositional conservative and religious political actors.
Silvia Kučėnaitė Foti it the author of the book The Nazi’s Granddaughter: How I discovered my Grandfather was a War Criminal. After going through major trauma when discovering her grandfather was not the war hero she heard about but a Nazi collaborator, she started to investigate her grandfather’s past. Considering Jewish sources along with the Lithuanian sources Foti questions the Lithuanian official narrative denying any involvement in the Holocaust.
Eastern and Central Europe are seeing emigrants returning. The trend for more people to return to their home countries started as a trickle before Brexit and the pandemic — but has grown over the last couple of years. Over the last 30 years the opposite trend has been the rule: Lithuania and Latvia have lost close to 25% of their citizens since 1990; Bulgaria and Romania approximately 20%. In Poland, over two million people have left, primarily to the UK, Germany, France, and Ireland. Of course, over the years, some people have returned, although those leaving have always outnumbered those returning. Until now.
Eglė Rindzevičiūtė talks to Ele Carpenter about the strong correlation between the experience of imperialism and colonial power, high technology and cultural responsibility.
When we look at our monuments, why is there so much presence and, at the same time, so much absence? Or is there not enough presence and not enough absence? Or is there too much presence and not enough absence? Or is there not enough presence and too much absence? And what can we do about this (dis)balance?
The narrative in this article is based on a reconstruction of my personal curatorial experience while working on the exhibition “A Difficult Age: Vilnius, 1939–1949”. The exhibition’s chronological framework – 1939 to 1949 – was established with a focus on historical realities and aimed to frame the narrative of the guest exhibition. The public knowledge of the history of multi-national Vilnius is full of conscious and unconscious omissions, in large part caused by oblivion, but no less by the unwillingness to remember, ignorance, and the refusal to know or even fear of finding out. The narrative based on the history of visual art and artists’ lives is a way to bring up controversial topics and open new perspectives.